PCT time …

Well, here I go, about to walk the greatest secular walking track in the world: The Pacific Crest Trail. A quote from Wittgenstein to kick off proceedings:

It’s like this: In the city, streets are nicely laid out. And you drive on the right and you have traffic lights, etc. There are rules. When you leave the city, there are still rules, but no traffic lights. And when you get far off there are no roads, no lights, no rules, nothing to guide you. It’s all woods. And when you return to the city you may feel that the rules are wrong, that there should be no rules, etc…. It comes to something like this. If you have a light, I say: Follow it. It may be right. Certainly life in the city won’t do.

Now I don’t subscribe to some romantic notion that there’s ‘wilderness’ or anything like that. The only thing wild on Earth is the tension between the insanity of the world and the demands of reason. Yes, a bear might rip my head off, but some bastard will be out there a few hours later with a rifle and a knife to split its belly open.

Wittgenstein is right, though, as he usually is, the rules do feel different when you’re out on a track. You enter a de-familiarised place, or maybe it’s a re-familarisation to a kind of paradise. A re-territorialisation, so to speak. If, in cities, we are de-territoralised, then in the woods, we must be re-territorialsed, no? And if de-territorialsation and re-territorialisation must exist simultaneously, then that’s probably what most walkers are doing when they compare and contrast, and familarise themselves with ‘the track’. Clear as mud, yeah?

(Before I talk about gear I want to make a cheap passing shot at the state of hiking blogs and videos on the internet. Gear, in my opinion, should only be a conduit to bigger discussions about walking. To bigger questions about life. I find blogs etc that only discuss gear a bit flat. Too many bloggers see gear as the subject upon which they generate a following and create some sense of community. No community has ever and will ever be centered around material possessions.)

This is the selection of ultralight goodies I’ve chosen for this walk. Link to lighterpack pie chart thing here. I’m using as much old stuff as possible.

After much umming and ahh-ing I’ll be sleeping outside using a zpacks splash bivy whenever it’s not raining, so it’s handy to have a synthetic quilt to soak up condensation. I love that I can just throw the synthetic quilt in the washing machine with my other clothes. Down bags don’t do this, really. Going with the ultralight MLD FKT synthetic quilt. The latter has a poncho head-slot to supplement the Montbell jacket that’s awesome, but not super-warm. I’m also taking the Cumulus Pullover for a pillow and if temperatures drop below zero.

I expect a few nights to get to below freezing and I may get caught in a snow storm or two in the Sierra’s, hopefully. On those nights I will go under the zpacks duplex tarp with freestanding poles. Net tents kill the space advantages afforded by the roomy tarp. I’ll just have to put up with bugs while sitting around in the afternoons. Got a head net for that. The sissy North America mosquitoes won’t really be an issue, I don’t think. The main thing is to feel separated from bugs while you try to sleep. The bivy has a bathtub floor in case I wake up in a puddle.

I could go with a frameless pack to save a bit of weight, but a) I own the best framed pack in the world, b) frameless packs give you a sweaty back, which I hate, and, most importantly, c ) I don’t enjoy leaving town with seven days worth of food in a frameless bag, thanks. My view is that you only really need a frameless pack if you’re doing big miles quickly, and I’m doing big miles slowly, so a frame is warranted.

In any case, the gear will probably evolve over the course of the 4200km walk. Click on the picture below for full gear list.

 

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Centre for Stories interview

Hello,

Please make yourself a cup of tea and/or coffee and listen to an interview between Robbie Wood and I at the Centre for Stories on the 11th of May 2017.

This interview is the most comprehensive I have been part of to date; discussing walking, poetry, environment, music, ecology and death.

Link here: https://media.sas.upenn.edu/pennsound/groups/Aust-Po/Centre-for-Stories/Quinton-James_Poetry-in-Conversation_Perth_5-11-2017.mp3

Cheers

 

The One

I was on Queen Street, Walyalup, eavesdropping philosophers

with their gyrating index fingers, their circle of life gestures

when the time had come, was as overdue as I was hesitant,

to witness the damage, to see what The One had done.

 

All my friends remained, protecting Beeliar wetlands

while I took my backpack and vanished, cross-crossing

Te Araroa rivers and mountains, as The One tore Tuarts into tiny pieces,

and ‘the other one’ fell to the ballot box.

 

From overseas, I knew the areas being bulldozed,

I’d seen the footage, the photos, and I read the reports

of southern bandicoots skulls being crushed

beyond the vets skill; I knew polysituated distress.

 

My friends were being pepper sprayed, pinned down and cuffed,

threatened with tasers, arms twisted behind their backs

laughed at for their views, subjected to background checks,

while the police took glee in their repression.

 

Ropable, strapped to a mind mast, violent fantasies

played out through my feet, and streams teased out my rancour,

as I was traumatised by my own indignation; the violence

kept cropping up, kept pace with The Ones deathly indifference:

 

The One comes, as two tawny frogmouths take to the air.

In all cases The One and I face off, in a clearing

the bucket’s jagged bottom lip thuds into my chest

then drags my bloodied body in the dust.

 

I ignore the hits and pretend they do not hurt. I smile even.

When The One tries to attack again— I stand my ground

and give The One an ultimatum, I say: you have two choices,

you either doze off, and we move on, forgiven,

 

or you try to rip out that casuarina and you will burn

from the inside, sweet sugar in your tank as the green rises

like a rash on your yellow paint. You, The One, hear me,

you have no idea of my rage, of my burning flesh about to explode.

 

 

As I walked on Stock Road I was thinking of still borns

and saw the footbridge where banners were dropped

the odd seven hundred year old balga shaking the breeze

near the temporary fences orange ballasts, nuytsia floribunda-flower coloured

 

Their plastic presence a different kind of parasite

sucking the emptiness into the whirlpool, dotting the boundary

like medical sensors, this land, comatose,

on life support, defying the philosophers gestures.

 

Do you really think she’ll pull through? I hear the singer ask.

The repairs appear plausible

where you can rationalise, where a linearity exists; topographic

as piles of pulp snake up the aperture

 

burning the grey sand, our leached soil

where Mainroads contractors do donuts

across The Ones ribbed prints

where I wish the finger deep chevrons to pointed to a conclusion

 

and the baby cycads unfurling like hand puppets

represent actors in a non-apocalyptic script—

where there are no borders,

where there’s interconnectedness, where the water runs clear.

 

Beside Forrest Road, tribute to our Premier’s legacy,

What’s left are the remnants of that planners doodle

road after road, doubling up traffic hallways

the duplicates, as if building roads was like stamp collecting,

 

Triples, quadruples, off-ramps, cars and trucks

Bumper to bumper to bumper to bumper

Taking us to witness the natural disaster we’ve created

To see the snow before our fumes melt our brains.

 

I was walking on the footpath that leads to Provincial Mews

Where there’s a sign that says keep fence up to protect regrowth,

when something metaphysical, an in my bones feeling

cropped up, a thought from ‘who knows where’:

 

This is where they were really tested,

where the kings men had their doubts, this place marks a time

when they knew they had lost, that The One,

had become self-referential, powerless and obsolete.

 

Then I saw the raven’s ice age eyes, the sky is not as blue,

and a hair comb lying in the dirt, and I expected to be yelled at

I expected the police state, with their uniforms

to be here, protecting the The One from the protectors,

 

I expected to see Uncle Ben giving a hoi to supportive drivers,

fist pumping the air, I expected the intolerable heat burning

our disillusioned faces, I expected tears, but not that many,

as the force of the struggle started to drift, departed without saying goodbye.

 

On the western end of Malvolio where so many were arrested

And the poems were read to the police, and the guards shat in the bush

where Neville and I handed out the asbestos fliers, I ran into Colin,

who’s court trial is coming up, going for a spin on his pushy,

 

‘MainRoads have been in there today’, he said, ‘doing burn-outs’,

Bogged, no traction, the contours now exposed,

the tyres half submerged, and the gum nuts

bitten by parrots, and the banksia husks sucked dry by bull ants.

 

This is where?—what? What? Where is this?

This craziness summarised in adjectives—

after seeing the blue tarp over the lame horse

someone says it’s not that bad, the native wisteria lurching mulch-pile-ward

 

Bungle Bungle-like, the brown cones hang from invisible wires

This is where we had to deceive the guards,

and run through to assess the damage

This is where the fence is tessellated with cotton string,

 

the paper love hearts long gone.

This is where the woody pears flowered for their last time,

As if they knew it was their last time.

This is where we used to walk freely, before the fences went up

 

and now, after The One smote the thin wedge of bush, smote us,

we can walk freely once more and find the place unrecognisable,

alien, like someone who went missing, and returned decades later

and only someone like Sally had never forgotten.

 

This is where eleven hundred of us smashed down the fence

and took the power back for an hour— Yes, we were a headache.

Yes. And then the peons marched single file up the runway

to listen to Jesse and Ewan sing Ro-oe Eight, Whi-ite El-le-phant.

 

This is where the attack dogs forced us back, while Jacinta

climbed a giant marginata, and I wish we carried the dying trees

to the perimeter, where the contractors felt the fallen

had no use, and the mulcher could not reach their bark.

 

This is where Shona got too big for her own boots

and they arrested her by deception, and she learnt the art of deception.

This is where John read The Bulldozer Poem

and Piers made videos and dust entered their lungs, and they lost their voices.

 

This is where Liz came to see what the fuss was about,

to be puzzled by Steve, and Doug and my apparent emotionlessness,

at our drought stricken tear ducts, as The One

gasped when in reverse then ripped out banksia after banksia.

 

This is where the razor wire and generators were set up

and the floodlights were pointed at Diedre and she told

everyone enough was enough, for the tenth time.

This is where Kate and Kim chatted while Ted was up a tree.

 

This is where the wattle birds’ chook-like guffaw rattles

and MainRoads were a presumptuous—

laying a limestone driveway so The One could enter and exit

where a magpie squadron, untouchable now, pick at the track.

 

This is where Wazza was given a move on notice,

After he asserted his right to protect his culture

With the spirit of his ancestors Wazza spoke from his heart

And with the spirit of his ancestors Wazza spoke from his heart.

 

This is where The One smote the feet of Emma’s friend,

before she striped and held them off with her nakedness.

This is where Chris was carted off horizontal

His arms gripped by the cops, his resolve never tested.

 

This is where the Police State threatened to knee cap me

and now my revenge phantoms return, and The One

and I face off once more, but the skirmish is interrupted

by half a dozen red tail black cockatoos taken on the breeze.

 

This is where black hessian used to trap animals flaps freely

and the balga rise rhizomatic—

their resilience tested again, as if this were just another day,

just another mimicry for us to take cues from.

 

This is where Pheobe, the candlestick banksia carrier,

held the torch, clipboard under her arm, gave me her number,

and told me to call her if The One arrived, and as

as she paced up the rust-red pathway, I lost that number.

 

This where Dodgy Steve was arrested as I hugged Caroline,

in the high yellow weeds, and said goodbye, and she yelled

over my shoulder at The One, at the uniforms: we don’t own this land,

we’re looking after it until the real owners return.

 

I run into Colin again, he says three days after the election

there were people wandering around everywhere, now there’s hardly a soul.

Yet when I close my eyes, I can see the footprints,

the cautious steps of those readjusting,

 

letting the monitors and snakes slither across their feet,

letting the sub-soil pulse up through their ankles,

mycelium shapes throbbing in their skin. I cannot see The One.

I once thought I was attracted to nature because it had no opinion of me,

 

Yet this is the place, this is where I was on trial, and the land spoke.

I do not belong here, I will never be able to call this country home.

But I do have the authority to stop those who seek to destroy.

This is where The One’s finger deep chevrons direct me now.

 

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Featured image and above image by Colin Leonhardt: http://www.BirdseyeViewPhotography.com.au

Spring, Summer, Autumn, Winter… And Spring

A pearl has no meaning to the pig, says South Korean director and writer Kim Ki Duk. His 2002 film Spring Summer Autumn Winter …and Spring is an anecdotal portrayal of time. Phrases, movements, events and conflicts circle back on themselves. People are shown as unwitting participants in a world with its own logic. Buddhist and mystic symbolism underpin and overlay the action. We learn about the characters through their actions, not what they say. The film requires little dialogue to convey its meaning.

In the opening sequence a young boy teases a frog, a snake and fish by tying a rock to them. The little creatures struggle. His grandfather – we can only assume they’re related – watches the kid torture the animals. That night while the kid is asleep the grandfather ties a rock to the boy. When he wakes up he’s distressed and is told the rock can be removed once he has seen to it that the rock is removed from the frog, snake and fish. If, by this time, any of the creatures have died then the boy will live with this burden. The boy drags the rock around the great lagoon where they live. The frog is alive. The Fish is alive. The snake has died overnight. The boy is distraught. The boy has a heavy heart.

If the grandfather had not disciplined the boy then we can assume he would have continued on in life thinking torturing animals was okay. We have seen already that it is in the boys nature to be cruel. Discipline is a way of altering that nature.

Later on in the film, the grandfather paints the heart sutra on the deck of the house that floats on the lagoon. The young boy, now a man, has returned, a fugitive after having fled the home with a girl who was visiting. Viewers do not witness this, but the young man murdered the woman one night when she sleeps with another man. The boy returns home and when detectives find him the grandfather requests that before he leaves the boy carve out the heart sutra with a knife.

The rationale of the film dictates the Buddhists wishes are respected and the detectives wait all day until the boy has finished carving. Only then can the boy begin healing his heavy heart, that began with the murder of the snake, some fifteen years before the murder of the woman. The return of the heart motif shows that the master played a small part in the boys downfall. As Phillip Larkin wrote: Your parents, they fuck you up, even if they don’t mean to, they do.

On Witnessing ‘On Witnessing With Many Others the Destruction of Remaining Bushland Alongside Malvolio Road, Coolbellup’

The state wants you to think you are them, and you and they have won,
and that winning is important, that peeling wallpaper
is a win for rising damp, leaking parapet drains
and paint that prematurely cracks in 21st century sun.
The state wants you to know they love you and that if
you stand naked in the sun that’s your choice
and as your largest organ reddens and thickens
and the moisture evaporates in your blood, that new hospitals
with lead pipes are being built for you, post-haste.
The state comes marching in the gate and up the wound
passed the mounds of dead balga and banksia and tuart
and salmon gum and karri and marri and agonis flexuosa
and teak and casuarina and beech and blackbutt and forest red gum
and myrtle and acacia and mounds of kangaroo paw, the state emblem
spontaneously deciduous in the middle of summer                                                             when they’ve decided shade is obsolete.
The state will not deliver the media alert that says dust health fears
exist in the areas around the asbestos riddled bushland in Coolbellup,
that children with asthma and other respiratory diseases
are at higher risk and if you feel your mouth and lungs clogging up
then you should contact this number immediately.
The state will allow their own militia to stand twenty feet
from the ‘Wood Hog 3800XL’ mulching monster while The Doctor
blows the entrails of ancient xanthorea and fine asbestos fibres
onto their high-viz uniforms, their bullet proof vests
built to ping off malignant mesotholomia.
The state has shown you must not sing and will arrest
anyone caught reciting say don’t worry, ‘bout a thing,
      cause every little thing, gunna be alright in their heads.
The state will not let you stop the Warratah’s pincers, or the excavator,
or the mulcher and if you do there are highly trained
hackers and horses and German Shephards who will break your spirit
one by one they will wear you down, targeting those who seek to organise.
Alone, the state will marry you.

Written in response to: ‘On Witnessing With Many Others the Destruction of Remaining Bushland Alongside Malvolio Road, Coolbellup’

On Witnessing With Many Others the Destruction of Remaining Bushland Alongside Malvolio Road, Coolbellup

A New Ode to Westralia: Anthem for All Future Sporting Events, by John Kinsella.

The state is killing our souls

The state has murdered the people — some they murder over and over

The state has deployed vicious antibodies to kill the good cells

and let the infection thrive

The state has equated work with destruction and manipulated

the outcome — remember, the state has no love for unions.

The state deployed its shock troops who watched on as poems were yelled

at them, their commander marshalling attitude, saying: how can we

shut this one up? Poets of the world, take notice. They will close

you down the moment you break free of your anthologies,

your safety in pages of literary journals, the comforts

of award nights.

The state shapes itself out of the dust rising from underforest

which is its soul exposed to a caustic, toxic atmosphere

made by so many other such actions of malice — the shape

is cartoonish to start with, then like a Hollywood effect

then just terrifying ectoplasm feeding on sap and blood and grit.

The state chips and mulches because it has heard rumours of Plato’s

theory of forms and thinks it needs a new translation full of local

business inflection, full of their own brand of ‘civilisation’.

The state has no intention of letting traditional owners maintain

traditional places of worship of culture of belonging — it’s always

been about the twin poles of denial and deletion.

The state has reservoirs of species names and the odd pressed sample

of a flower they wish only to remain as a Latin name and

a collectible, gathering in worth, which is the essence of market

economics, rolling on through the bushland with gung-ho

in-your-face finality.

The state wants you to gasp as the tall tree cracks and is brought down fast,

the pair of tawny frogmouths lifting to nowhere, dazzled by daylight.

John Kinsella

TWELVES FOR THE TWELFTH NIGHT: POEMS IN SUPPORT OF THE BEELIAR WETLANDS

Similar to The Other Report: Poems Against the Destruction of the Beeliar Wetlands, Twelves for the Twelfth Night is a rapid poetic response to the 100 hectare desecration of natural bushland for the Roe8 highway.

From the introduction: Traditionally, the twelfth night of Christmas falls on the fifth or sixth of January and signals the eve of Epiphany, or Epiphany itself. Shakespeare’s Twelfth Night and ours were written in the spirit of twelfth night entertainments, and Malvolio figures large, whether as an antagonist come to grief through greed, delusion and crazy ambition, or a here-to-now quiet road in Coolbellup that woke to find a major highway mapped across its vitals.

Our Twelfth Night was triggered by the wonderful and occasionally bizarre use of Shakespearean characters as street names in Coolbellup, including Cordelia Avenue, Romeo and Juliet streets (which never meet) and Malvolio, poor Malvolio, which only ever wanted to be left in peace, adjoining the best bush block there is.

Each of the twelve poems in our Twelfth Night contains a four-line stanza by Wendy Jenkins, John Kinsella and myself.

Please press on the image below to download the free book.

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The Other Report: Poems Against the Destruction of the Beeliar Wetlands

John Kinsella and I have written a book of poems in non-violent protest against the 100 hectares of bulldozing happening at the Beeliar Wetlands. Please feel free to share this as widely as possible. About 5 hectares has been cleared already. Clearing is set to resume any day now. Please click on the image below to read/download the poems.

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Inside View: Save Beeliar Wetlands

In June of 2014, I took two buses and a train from my home in Fremantle to the trail head of the Bibbulmun Track in Kalamunda. In rain and a leaky jacket I walked for three hours to Hewitt’s Hut, arriving in the dark. Already at the hut was my friend, his brother and two friends of theirs I had never met before. My friend was walking the entire track. His mates had driven in as close they could to the hut. They had brought eskys full of alcohol, meat for the bbq and mobile phones to watch AFL on.

Read the rest of this article here.