Malvolio Road

In Marginata shade, with the depleted ozone
at Malvolio Road, the sandy verge is compacted
by sandals and sneakers, citizens sing
get up stand up, stand up for your rights
and a mum tells her son off for breaking black boy fronds,
and the patrolling police ask us to stay off the street
and the Federal Member for Fremantle stands with us, getting grey sand in his shoes
with his Ray Bans in his back pocket.  Meanwhile architects
and planners present their proposals to Barnett government
ministers their most important work, the Roe8
Highway Extension. The images projected on the screen
are so realistic you might think the project is already built,
the families in the photos appear so happy,
the cockatoos in the sky plentiful, the cars few
and freewheeling and the diagrams so convincing:
arrows show traffic flow and hydrology flow
and mitigation movements and meanwhile in Coolbellup
Janet works at the IGA to pay her rent, cutting open
cardboard boxes and stacking shelves. Janet knows
where every single item in the entire store goes.
On the eighth of December 2016 the temporary fence
went up across the road from her house,
and on that day, for the first time in twenty years
the family of bandicoots Janet has fed and watered and loved
stopped visiting. Two years earlier, on Kings Park Road
The Premier Colin Barnett had an idea, at the meeting table
The Premier Colin Barnett had an idea,
his idea and his alone, out of his own head Colin had an idea
where the idea came from no one present knew where,
but they heard him out, Colin was so moved by his idea
he had to borrow the architects’ notebook and make sketches;
if the people of East Fremantle don’t want Roe highway
straight through their suburb, we’ll build a tunnel,
a five kilometre tunnel underneath White Gum Valley,
that’ll show ’em, said Colin. The Premier himself was so impressed
with his ingenuity he had a sip of water from the small tumbler
in front of him. The idea was so spontaneous that those present
at the polished jarrah table didn’t know what to say,
a junior engineer was sent to draw up some plans.
That day, at Coolbellup IGA, Janet helped her neighbour
Kate find some polenta in aisle three and got a special
treat for the bandicoots’ breakfast.

 

J. P. Quinton – Malvolio Road 12th Dec 2016

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Ashfield Flats

Im conducting a site analysis of the Ashfield Flats; a wetland near where I grew up. On the 19th of March I walked through the flats with a video camera. You can watch the video here:

And first poem analysis:

Site Visit Ashfield Flats

Part of the river begins here, car carcasses
Filter run-off, houses fenced off
Red tap on top of fire extinguisher.

Buffalo grass covers a culvert
Large concrete block monuments
Pine bollards and a steel gate.

‘No unauthorised vehicles passed this point’
The sign, twenty metres beyond the fence;
Galahs cackle overhead.

As if in distrust of the drain
Houses a but the 100 year flood line
Stink from the drainage block.

A two foot foam toy stealth bomber
Discarded in the buffalo – ‘the F27C
Striker Brushless’ neglected, ignored.

Broken, landlocked like concrete islands
Bark shards and a dying tomato plant
Part of the river begins here.

My body moves expectantly
Barefoot, aware of tiger snakes
A stick wrapped around my ankle.

MWB infrastructure tagged with ‘SK’
As alien as the stand of tapping bamboo
Within phone range, without credit.

Sweet mud smell, the hill you slide down
On tin, the old man keen to shoot to shoo
You away, his property as far as his scope.

To kill the grass they kill the liquid amber
Yellow bamboo pole matresses
The ‘clean fill’ sand will absorb it eventually.

Salt bush tagged pink, ready for pruning
Fifty yards from a fence, ‘our home’
Our ten metre limestone retaining wall.

More graffiti on blocks thick with melaleucas
A safe place to practise, DK in red texta
On paperbarks, more practise.

Rows are rows of planted tulips: a concerted
Effort to pretty the place up, beside long lines
Of blackberry bush, an air conditioner hums.

Water collects here; lentic. Overflowing rubbish
Bins on the driveway, a baby crying
Her life begins here, mosquito coils.

I become impatient, lustful and lacking narrative
I pause on the authorised vehicle track
Parrots squawk, a German Sheppard barks.

Then, evidence of machinery; mown lawn
Drainage swales, designed drains,
Another Main Water Board Block: Stourhead Grotto?

Dead gums, kids playing cricket
Adopting famous players names
Recreating classic moments: the pathetic fallacy?

A netball ring attached to fence
Bark crunching, parrots munching
A train a truck an aeroplane.

A fences, a concrete path
A stream sidled by casuarinas
Hesitate to use the word weed.

A small stand of xanthorrhoeas, cleared
Drain fenced off for important revegetation
Vineless archways.

Dog shit on the side of the path
A few days old
Clear blue sky overhead, hazy at the horizon.

I imagine walking straight the swamp
With a video camera, a document,
Not now – not the right time, never the right time.

Go right, I go left, through the thicket
To much of a sissy I stick to the path
The birds becoming louder.

In imagining the future I left the present
And missed the approach to the foreshore
A flat pyramid of arrow, ground cover.

Velvet pillows jammed in amongst the limestone
Banks – a fisherman’s forgotten seat
Long neck turtles, high tide tomorrow.

A kelpie freaking out over rollerblades
Fallen trees, their rotten roots
Suspended in floating mud. Not a sculpture.

Nor is this paradise, the river, in pieces
Has kept clear, held back proper light
Part of the river begins here.

The DC266 Evenrude outboard dingy
Its fishermen, shiners of the torch
Throw cigarette butts in the water: 18:35pm.

The bridge monument – maximum load limit
Three hundred kilograms
Hugs the bank like Michelangelo’s staircase

The last of the sunlight, duck tracks,
Great Egrets picking at the rushes
Mistook them for a chip wrapper.

Still as salty as the day purchased
At the supermarket:
The Great Egret Supermarket.

I jump off the bridge – heading home
Find a toy walkie talkie, possibly from the stealth bomber:
You used to be able to see the bottom, over.

‘Surprised by the amount of water in here
At this time of year, over.’ No frog noises
So silence. Still, plenty of mossies and guppies, over

‘Copy, over.’ Walk around puddles.
Now it dawns on me —the camps—
We used to see as kids, the piles of rubbish

Buckets, blankets, remnants of small fires
Were aboriginal camps, a midden under my nose.
‘Fucking Hell’ sprayed blue on a she oak, a totem.

Car wrecks half way up the drain
When the water’s high become tip islands
Rusting ruins: they dont make ‘em like they used to.

Clay sediments and oxidise metal mixing:
Follies of the future,
Slowly leaking into the creek.

You can see the wet line on the side
of the drain, the high water water mark
A white horizontal line of phosphate

Part of the river begins here, car carcasses.

Superstudio

2006: Superstudio: an Australia wide student 48 hour competition. Winning design by James Quinton, Julius Welke, and Paul Empson.

Brief:
Cottesloe Beach Carpark
Finalists must demonstrate an architectural vision for the long term preservation of both the social and environmental fabric of the urban beach. Above all, however, entrants are encouraged to pursue their imaginations, and not only design but imagine proposals which heighten the experience of this threshold between built environment and sea.

Concept: The Involuntary Prisoners of Paradise: Back in the seventies, Rem Koolhaas borrowed an idea (of a linear city running directly through London) from a group of radical Italian Florentine architects called Superstudio. Here in 2006, we borrow from Koolhass’s Exodus or The Voluntary Prisoners of Architecture in our own ‘Superstudio’.

View Pdf here: super Best viewed by View-PageDisplay-Two-up.

Surveying Henry Point

Surveying Henry Point
For Ian Weir

Obliquely we enter Henry Peninsula
With its withering heath, charting elevations
Derived from mapping stations
For a potentially immoral buck
Justified by the adage: someone’s gotta do it.
Making more millions for millionaires
In exchange for cuts and abrasions.

Reasons non-oblique to charge wattles, acacias
And hakeas aside with forearms,
Crushing withered tendrils due south or due west
Ignoring the path of least resistance
Reading undulations, for illuminations:
Clearings for richer folks, snapping
Away nature with a click.

Coordinates a price-tagged crenulate.
When we were driven by adrenaline:
Belly to sand, face to possible snake,
(The possibility of joining Joker John Eyre
Or Slimey Septimus Roe) did we grasp
With documentation, the machine
losing sight of the satellite?

Pink and yellow tagged trees
plug in pecuniary.
Somewhere in the shade
of the Peppermint Grove
over a march ants nest,
goes the wooden patio.

50 Safety Matches Film Clip

Michelle Lord, category of champions, made this film clip happen and editted it. We went to channel nine studios to record the beast. Had some pizza, beer and a few laughs. The introduction is by Dixie Marshall, the news reader for channel nine with a nice smile. Special thank you to Paul brown & Toni Riseley for their camera expertise in the film.