Ashfield Flats

Im conducting a site analysis of the Ashfield Flats; a wetland near where I grew up. On the 19th of March I walked through the flats with a video camera. You can watch the video here:

And first poem analysis:

Site Visit Ashfield Flats

Part of the river begins here, car carcasses
Filter run-off, houses fenced off
Red tap on top of fire extinguisher.

Buffalo grass covers a culvert
Large concrete block monuments
Pine bollards and a steel gate.

‘No unauthorised vehicles passed this point’
The sign, twenty metres beyond the fence;
Galahs cackle overhead.

As if in distrust of the drain
Houses a but the 100 year flood line
Stink from the drainage block.

A two foot foam toy stealth bomber
Discarded in the buffalo – ‘the F27C
Striker Brushless’ neglected, ignored.

Broken, landlocked like concrete islands
Bark shards and a dying tomato plant
Part of the river begins here.

My body moves expectantly
Barefoot, aware of tiger snakes
A stick wrapped around my ankle.

MWB infrastructure tagged with ‘SK’
As alien as the stand of tapping bamboo
Within phone range, without credit.

Sweet mud smell, the hill you slide down
On tin, the old man keen to shoot to shoo
You away, his property as far as his scope.

To kill the grass they kill the liquid amber
Yellow bamboo pole matresses
The ‘clean fill’ sand will absorb it eventually.

Salt bush tagged pink, ready for pruning
Fifty yards from a fence, ‘our home’
Our ten metre limestone retaining wall.

More graffiti on blocks thick with melaleucas
A safe place to practise, DK in red texta
On paperbarks, more practise.

Rows are rows of planted tulips: a concerted
Effort to pretty the place up, beside long lines
Of blackberry bush, an air conditioner hums.

Water collects here; lentic. Overflowing rubbish
Bins on the driveway, a baby crying
Her life begins here, mosquito coils.

I become impatient, lustful and lacking narrative
I pause on the authorised vehicle track
Parrots squawk, a German Sheppard barks.

Then, evidence of machinery; mown lawn
Drainage swales, designed drains,
Another Main Water Board Block: Stourhead Grotto?

Dead gums, kids playing cricket
Adopting famous players names
Recreating classic moments: the pathetic fallacy?

A netball ring attached to fence
Bark crunching, parrots munching
A train a truck an aeroplane.

A fences, a concrete path
A stream sidled by casuarinas
Hesitate to use the word weed.

A small stand of xanthorrhoeas, cleared
Drain fenced off for important revegetation
Vineless archways.

Dog shit on the side of the path
A few days old
Clear blue sky overhead, hazy at the horizon.

I imagine walking straight the swamp
With a video camera, a document,
Not now – not the right time, never the right time.

Go right, I go left, through the thicket
To much of a sissy I stick to the path
The birds becoming louder.

In imagining the future I left the present
And missed the approach to the foreshore
A flat pyramid of arrow, ground cover.

Velvet pillows jammed in amongst the limestone
Banks – a fisherman’s forgotten seat
Long neck turtles, high tide tomorrow.

A kelpie freaking out over rollerblades
Fallen trees, their rotten roots
Suspended in floating mud. Not a sculpture.

Nor is this paradise, the river, in pieces
Has kept clear, held back proper light
Part of the river begins here.

The DC266 Evenrude outboard dingy
Its fishermen, shiners of the torch
Throw cigarette butts in the water: 18:35pm.

The bridge monument – maximum load limit
Three hundred kilograms
Hugs the bank like Michelangelo’s staircase

The last of the sunlight, duck tracks,
Great Egrets picking at the rushes
Mistook them for a chip wrapper.

Still as salty as the day purchased
At the supermarket:
The Great Egret Supermarket.

I jump off the bridge – heading home
Find a toy walkie talkie, possibly from the stealth bomber:
You used to be able to see the bottom, over.

‘Surprised by the amount of water in here
At this time of year, over.’ No frog noises
So silence. Still, plenty of mossies and guppies, over

‘Copy, over.’ Walk around puddles.
Now it dawns on me —the camps—
We used to see as kids, the piles of rubbish

Buckets, blankets, remnants of small fires
Were aboriginal camps, a midden under my nose.
‘Fucking Hell’ sprayed blue on a she oak, a totem.

Car wrecks half way up the drain
When the water’s high become tip islands
Rusting ruins: they dont make ‘em like they used to.

Clay sediments and oxidise metal mixing:
Follies of the future,
Slowly leaking into the creek.

You can see the wet line on the side
of the drain, the high water water mark
A white horizontal line of phosphate

Part of the river begins here, car carcasses.

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